03 Proof
See it before you choose it
Our projects, photographed on the day they were finished.
Italian lime by hand, burnished by trowel, nothing sprayed. Architect-specified. Trusted on commercial and heritage work.
Decorative lime is the whole business. Nothing is skimmed, nothing is subcontracted, and the people on your wall do this and only this.
Imported from Italy by Zavorè. The tub says what is in it, and so can we.
Our work includes a Grade II* listed building, the highest grade of listing in the country.
Three boards, made for your wall, in your colour. Nothing is agreed until you have held them.
Itemised, agreed, and then left alone. It does not move after it is signed.
Our projects, photographed on the day they were finished.
Every job runs in the same order, so you know where you are at every point.
A call, or a visit to the wall. What it is made of and how the room is used decide the system, and we say which before anything is priced.
Made in your finish and colour, left on your wall for you to live with. You sign it off or we make another. Nothing moves until you do.
Preparation, materials, labour and protection, each itemised in writing. No day rate hiding anything. Agreed is agreed.
Protection first, dust kept down, then each coat built and burnished to match the board. The site is left clean every evening.
A walk round together, a note on aftercare, and a wall that keeps hardening for years. We are still on the phone afterwards.
Marble dust in aged lime, burnished until it shines like stone. The finish most people mean by Venetian plaster.
Coarser marble in the mix, finished matt or with a low sheen. Forgiving on a long wall and better with age.
Thin, seamless and sealed. Over tiles, on floors, in wet rooms. The modern one.
Moroccan lime, polished with a stone and sealed with soap. One continuous surface, which is why it suits showers.
Brushed lime, chalky and cloudy, with almost no sheen. The softest of the six.
Real metal in a plaster binder. It tarnishes and patinates the way metal does. Bronze, brass, copper, iron.
We work across Sutton Coldfield, and Four Oaks, Little Aston, Mere Green and Streetly give us some of the best rooms in the West Midlands to work in: Edwardian and inter-war houses with high ceilings and tall, flat walls that were always meant to carry something better than emulsion. Around Wylde Green and Walmley the stock is newer, and open-plan rebuilds are common.
High ceilings reward polished plaster, because the sheen has somewhere to go. The entrance halls and stairwells of the Four Oaks houses are the classic candidates, and so are the big principal bedrooms. The older houses are lime beneath the surface, and we put lime back on top of them.
Everything about how we work — the samples, the fixed price, the six finishes — is on our main Venetian plastering page. This page is about Sutton Coldfield.
We cover the whole of Sutton Coldfield and the towns around it. If your address is not listed, ask anyway.
Photograph the wall, tell us roughly how big it is, and you will hear back within one working day.
If you need any help, feel free to get in touch. We are happy to answer anything about finishes, timings or price.
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